Sunday, April 20, 2008
So we went to the show at Marylhurst. Lotta instrument makers there. Being a classical guitar guy, those are the makers I notice the most, and a bunch of really good ones showed up: Robert Ruck was one table down from Jeff Elliott. Woodley White, George Smith, Craig Wilson, Salvador Morales, Alan Perlman, Cyndy Burton, Keith Rhodes. Mike Doolin had his harp guitars there, others I probably missed.
Violin makers, mandolins, harps, even a marimba; flutes, lutes, wood, wax, the place smelled great, and if you like stringed instruments, you would have had a fine ole time just walking around and inhaling.
The mini-concerts this year were held in a different venue -- school was working on the grounds and the usual place was hard to get to, so it was in Flavia Hall. Not as nice a room, but you could hear everybody okay. We saw people do short stints: Mary Flower (steel-string and classical guitar); Peter Zisa and Dina Fergurgur, (classical guitar duet); Scot Mueller and Joe Majors played electric guitar and electric bass. Travis Johnson, who looked like he was all of thirteen, played an Elliot classical and did a fine job. David Franzen played a George Smith blackwood classical, after a touching story about a phone call from the wife of his guitar teacher, who is apparently dying, and who was listening to one of Franzen's CDs. Jeff Ashton did what he called his "chestnut set" on a classical by Woodley White -- started with Romanza.
Franzen used his own guitar, which was several years old, and you can really hear the difference between a spruce top that has been played and opened up, and one that is a couple weeks old.
The Morales family had a few nick-nacks on their table. My wife bought me a clock ...